I had seen her face countless times before I ever stood in front of her. The Mona Lisa. Perhaps the most recognizable woman in the world. Her image has traveled farther than she ever did. It has crossed oceans, filled books, appeared on walls, postcards, screens, and in the imaginations of generations. For centuries, strangers from every corner of the earth have wondered about her. They have studied her eyes, questioned her smile, and traveled thousands of miles just to stand in a crowded room and catch a glimpse of her face. A picture changed the world. And somehow, I expected her to feel grand. But when I finally stood in her presence, what struck me most was her simplicity. She was gentle. Humble. Soft. Kind. There was no crown upon her head. No extravagant jewelry around her neck. No grand clothing demanding to be noticed. Nothing about her seemed to announce her importance. She was simply a woman, sitting quietly within a frame.
And perhaps that was what moved me most. There was something about her that felt familiar. Relatable. Almost as though, beneath all the centuries of mystery and fame, she was simply a woman who had once lived an ordinary life. She had loved people. She had walked through ordinary days. She had surely known happiness and sorrow, beginnings and endings, fear and hope. There were pieces of her story no one standing in that room would ever know. Private heartaches, quiet joys, disappointments, dreams, and ordinary moments that disappeared with time. Yet somehow, with the softest expression and the simplest presence, she became unforgettable.
Around me were hundreds of people. The room was chaotic with voices, footsteps, cameras, and bodies pressing closer. Everyone was searching for the same thing—a moment with her. A photograph. A glimpse. A few seconds to say, “I stood before the Mona Lisa.” Yet in the middle of all that noise, something inside me became quiet. I had come to see a famous painting, but standing there, I felt something much more personal. Looking at this simple woman whose face
had endured through centuries, I felt the gentle touch of my Creator and a quiet reminder settle into my heart: You are a masterpiece too.
I don’t know that I had ever truly thought of myself that way. I could easily look at a painting and recognize the beauty in every brushstroke, every shadow, every carefully placed line, yet I had not always offered myself that same grace. I had looked at my own life and noticed the scars, the mistakes, the things I wished I could erase or repaint. I had compared myself to other women and wondered if I was enough. Beautiful enough. Accomplished enough. Strong enough. Interesting enough. I had looked at unfinished places in myself and mistaken them for flaws, forgetting that perhaps I was simply still being painted.
No travelers cross oceans to stand before me. Hundreds of strangers do not crowd into a room hoping for a glimpse of my face. My portrait is not framed and hung majestically upon the wall of one of the world’s greatest museums. People will not spend centuries wondering about the meaning behind my smile. But standing there, I began to understand that none of those things determine the worth of a masterpiece. A masterpiece does not become valuable because the world gathers around it. Its worth existed before anyone recognized it. Before the museum. Before the crowds. Before the photographs, books, and admiration, there was simply an artist and his creation.
And so it is with me.
Before anyone loved me, chose me, understood me, or even noticed me, there was my Creator and me. God saw something worth creating. He saw a life worth giving breath to, a heart worth shaping, a woman worth knowing. He knew every color that would eventually become part of me—the bright ones and the dark ones, the beautiful seasons and the painful ones, the moments I would treasure and the ones I would wish I could erase. None of it surprised Him. Every chapter has become another layer. Every joy has added light. Every sorrow has added depth. Every scar has become part of the texture of my life.
Maybe that is what I had misunderstood about becoming. I thought becoming meant eventually arriving at a more beautiful version of myself. I thought perhaps if I worked hard enough, healed enough, learned enough, accomplished enough, or changed enough, someday I would finally become the woman I was supposed to be. I kept imagining her somewhere ahead of me—a stronger woman, a wiser woman, a more confident woman, a woman who had finally figured everything out. But perhaps she was never waiting somewhere in the distance. Perhaps she has been here all along, emerging slowly beneath the brushstrokes of my life.
Some strokes have been gentle. Others have hurt. There have been seasons when I would have chosen entirely different colors for my story. There are things I would never have asked to endure and pieces of myself I have had to grieve. There have been moments when I did not recognize the woman looking back at me. Yet I am beginning to see that transformation does not always look like becoming someone new. Sometimes it is the sacred work of uncovering the woman God knew was there from the beginning.
Standing before the Mona Lisa changed something in the way I saw her, but more importantly, it changed something in the way I saw myself. Her beauty was not loud. She did not demand attention. She simply existed as she had been created, and somehow that was enough. There was such peace in her simplicity. I realized I wanted that kind of peace within myself. I want to stop waiting until I am thinner, prettier, stronger, more accomplished, more healed, or more certain before I allow myself to believe there is beauty in who I am today. I want to become a woman who does not need to be bedazzled in order to know she is precious or need a crown to understand that she carries divine worth. A woman whose gentleness is not mistaken for weakness, whose softness survives what life has asked her to endure, and whose quiet presence carries something beautiful into the lives of the people who stand near her.
Perhaps my masterpiece will never hang in a museum. Perhaps it is not supposed to. Perhaps my masterpiece is the life I am creating every day. It is in the words I write and the stories I finally allow myself to tell. It is in the people I love and the home I nurture. It is in laughter around a table, tears shed behind closed doors, prayers whispered when no one else can hear, kindness offered to strangers, beauty noticed in ordinary places, and the courage to keep walking when the road changes beneath my feet. It is in the scars I once wanted to hide and the stories they now allow me to tell. It is in every version of myself I have had to release and every new version I have had the courage to become.
Maybe that is my Mona Lisa.
Not my face. Not a perfect portrait of myself. Not something the world will hang beneath glass and travel thousands of miles to see. My Mona Lisa is the woman my life is creating. She is layered. She is imperfect. She carries shadows and light. Some parts of her are still unfinished. Some colors are still being mixed. There are places where I cannot yet understand what the Artist is doing. But I am learning not to judge the painting before He has finished the work.
The world may never gather in hundreds to see me, but God sees me. He has always seen me. And perhaps one of the most beautiful parts of becoming is finally learning to see myself through His eyes—not as a collection of things that need to be fixed, but as something sacred in progress. Created with intention. Precious before I ever proved anything. Worthy before anyone noticed. A masterpiece not because my life has been perfect, but because of the hands that have held the brush through every part of it.
I walked away from the Mona Lisa thinking I had traveled all that way to see a masterpiece. Instead, somewhere in that crowded room in Paris, surrounded by hundreds of people trying to see her, God helped me see myself. He helped me understand that becoming was never about creating a woman worthy of being called a masterpiece. God had already done that. Becoming is learning to believe Him. It is learning to stand inside the life He has given me—the beautiful parts, the broken parts, the ordinary parts, and the still-unfinished parts—and recognize that they all belong to the painting.
I am still being created. Still being softened. Still being strengthened. Still discovering colors within myself I did not know were there. There are brushstrokes yet to come and parts of the
picture I cannot see from where I am standing. But I no longer need to know exactly what the finished painting will look like. I can trust the hands of the Artist.
I went to Paris anxious to meet her. To stand in the presence of the Mona Lisa. I left feeling as if I had spent too much of my life standing outside my own frame, judging the picture instead of honoring the Artist who created it. I am learning now to step inside it. To inhabit my own life fully. To treasure the woman I have been, love the woman I am, and make room for the woman I am still becoming.
Thank you, God, for Your gentle paint strokes and bold colors that have made the masterpiece of me.
Thank you, my friend, Mona Lisa, for silently speaking to my soul in that crowded room so far from home, gently helping me see—I am becoming my own Mona Lisa.
still becoming,
Juli